IMAGINING
ARAB WOMANHOOD
Chapter
four in Imagining Arab Womanhood has as its main topic the analysis of the
representation of Arab and Muslim women in the era of globalization, where the
author mainly investigates the principal in terms of their “disavowal of the
neocolonial and imperialist projects in which they are embedded” (139). Throughout
the chapter she charts the ways in which particular narratives of globalization
have continued to universalize tendencies of the modern representations of the
Arab womanhood. As her first topic, she uses the case study of the Afghan Girl
– which is the story of finding the woman McCurry had photographed for National
Geographic seventeen years earlier. In the article of the Search of the Afghan
Girl, the magazine presented a narrative that reinforced the dominant US
notions about the passivity and victimization of all Muslim women – it created
a strong focus and an image of women as helpless victims and reinforced the
dominant trope of saving Muslim women through the US military action. This image
became so eye opening for thousands of people that the search brought a great
media and worldwide attention. This picture helped expand the mythology of the
veil, and the US association of the veil with barbaric, backward regimes, that
the US tried for years to fight against.
It helped expand through the United States the “white man’s burden” to
civilize purportedly natives through the process of colonialism.
Later
on, the author brings attention to the American view of the veil, and what it
presents in the English-speaking context. She looks at the English term veil
and points out the meaning the word carries: “to conceal from apprehension,
knowledge, or perception. The meaning of the word itself helps explain why such
sandal was created by seeing all these women being so victimized by covering
themselves up, and how the picture cited earlier would rise into such a big
argument worldwide on women’s rights, such as NOW’s cause of liberating Afghan
women from the brutal oppression.
This
creation of self-awareness of the victimization of women later on brings out
the impact it had in art and social movements. As one of the most interesting
parts the author brings out is Wilke’s statues. She decided to use gum as the
material of her sculptures because she believed it would be the perfect
metaphor for the American women – “ chew her up, get what you want out of her,
throw her out and pop a new piece”. Wilke clearly advances a feminist argument
by stating the notion that women are objects, and not just in the Middle East,
but all throughout the globe.
The
image of the veil, and how it victimizes women in the Middle East also plays a
big role on how the United States hopes it people will portrait the lands they
have been in war with. It is important to point out the significance of oil in
those territories and how it sparked a war. The United States wants its
citizens to agree with the government and its decision making, so creating an
idea of how those countries victimize their female population is a way to get
the American people to stand against them as well because of the creation of
social issues and unfairness, rather than just showing a more economical
problem. Just like the United States has negatively portrait the UK and France
before, they are now doing the same with the Arabic and Muslim world. In other
words, the United States quest for oil plays an enormous role on the people’s
portrait on the women behind the veil. Thus, the notion the American government
creates in whichever country it has any interested on, will play a big role on
how the society will view such country. The United States this time is creating
now the image that it is fighting a “war on terror”, a war in a world that
portrays women as inferior. This imagery of the veil leads thousands of people
to turn against a culture and make their assumption on so called, unjustified
treatment that views women as objects, while, according the some statements in
the chapter, the US is doing it for its own economical benefit and oil
dominance.
THE
OTHER SIDE OF THE VEIL
The
article The Other Side of the Veil deals with France’s views on the wearing of
veil’s at school. Killian initially talks about the “headscarf affair”, when
three teenage north African girls wore headscarf’s to school, and after being
asked by authorities to take it off, and not doing so, they were expelled from
the school.
It
is important to point out what the author initially indicates about the history
behind veils, and how women in many cultures wear them because the veil is a
“vehicle for distinguishing between women and men and a means of controlling
male sexual desire.
Also,
there is the matter of the belief in France that the church should be separate
from the state, which indicates why it would be view as a problem to be so open
about religion at a school setting since the state is trying to avoid such
relationship. Although there is an understanding of a large immigrant
population in France, the French still want them to fit in, not such get along,
thus, following the French belief that religious practices should not be
involved in governmental, or school matters. It is interesting to point out
that according to a poll in 1989 in Le Monde, 75% of French were opposed to
wearing veils at school, but only 32% were against it when wearing it in the
street. Showing that the problem really is when it comes to a matter of an
educational environment that is controlled by the government, rather than
individual choices of the outside world and the streets.
The
author then later on deals with her exploring of different women’s views on the
wearing of veils both at school and in public through personal interviews and
research. The interviews pointed out an
idea that the problem isn’t necessarily with religion, but with the veil itself.
Some of the women interviewed mentioned that there was no prejudice against
wearing a cross, but there was against a veil. Others pointed out the open
celebration of holidays like Easter, and how that wasn’t seen as a problem
while the veil was. Thus, the two main topics of the argument are either the
loss of identity and freedom of speech with the lack of wearing the veil, vs.
the belief that the purpose of school is integration and adaptation to the
French culture, rather than just being familiarized with it.
Lily Cannon
ReplyDeleteI agree with what Aline said on how it is important to point out the significance of oil in certain territories and how it did and can spark wars. Since oil is a natural resource to the way humans live their everyday life, countries will do anything to be apart of the oil industry in those dominant countries to gain power and wealth. This economical problem adds on to the victimization of females throughout the world to further get Americans to look down upon certain countries. Women wearing these veils are seen as vulnerable and not independent which adds on to discrimination in woman as a whole.
Anna Grofik
ReplyDeleteIn Aline's post she brought up the issue of women's rights in the negative attitude towards the veil. This made me think that since the oppression of women in our society isn't blatantly external, the veil offers the opportunity for contempt because it is seen as a physical sign of oppression, sexism and enslavement that can be fought against, despite however misguided this fight is. In Aline's discussion of The Other Side of the Veil, she uses the quote that the veil is a “vehicle for distinguishing between women and men and a means of controlling male sexual desire". I think that when people hear this as a justification for the veil they automatically deem the culture behind it backwards, patriarchal and sexist. The fact of the matter is that even if you don't understand or agree with a culture, it is not mandated to change or destroy it.
Sarah Wills
ReplyDeleteI agree with the points Aline made regarding how Americans misconstrue the concept of the veil. The Afghan Girl was the photo for the National Geographic. This depiction of the women begged empathy and pain. The women was made a victim due to the fact that she was "bound" to her veil. The picture misrepresented the meaning behind head scarves into making people sympathize for middle eastern women that wear veils. Aline also discusses the issues about wearing headscarves to school in France. Due to France's efforts of separating church and state, most people did not find it appropriate to wear veils to school. Yet, as Aline pointed out, most people do not have a problem with people wearing them on the street.
Kelsey Warkentin
ReplyDeleteI thought it was interesting that Aline brought some of the statistics from the interviews in "The Other Side of the Veil". An eye-opener was "75% of French were opposed to wearing veils at school, but only 32% were against it when wearing it in the street". Aline makes a good point in saying that those numbers prove that people only really care about wearing the veils in an educational setting. But why is this? Christians/catholics wear crosses. Jewish people wear yamakas. Most public schools even have religious holidays off such as Good Friday, Yom Kippur or Easter. So why can't Arabs simply wear a piece of clothing to school that represents their culture? It seems silly to even think about this as an issue. No one has ever really questioned other religions, and that just shows how many stereotypes there are in this world.